BY Anthony Vidler : Warped Space: Art, Architecture, and Anxiety in Modern Culture – EBOOK Read

  • Hardcover
  • 316
  • Warped Space: Art, Architecture, and Anxiety in Modern Culture
  • Anthony Vidler
  • English
  • 06 April 2020
  • 0262720418

Anthony Vidler Þ 4 Summary

Anthony Vidler Þ 4 Summary Warped Space: Art, Architecture, and Anxiety in Modern Culture Summary Ë 104 Celessness he examines ways in which contemporary artists and architects have produced new forms of spatial warping The discussion ranges from theorists such as Jacues Lacan and Gilles Deleuze to artists such as Vito Acconci Mike Kelley Martha Rosler and Rachel Whiteread Finally Vidler looks at the architectural experiments of Frank Gehry Coop Himmelblau Daniel Libeskind Greg Lynn Morphosis and Eric Owen Moss in the light of new digital techniues that while relying on traditional perspective have radically transformed the composition production and experience perhaps even the subject itself of architectur.

review Warped Space: Art, Architecture, and Anxiety in Modern Culture

Warped Space: Art, Architecture, and Anxiety in Modern Culture

Anthony Vidler Þ 4 Summary Warped Space: Art, Architecture, and Anxiety in Modern Culture Summary Ë 104 Ce is the repository of neuroses and phobias This space is not empty but full of disturbing forms including those of architecture and the city The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth century theories of spatial alienation and estrangement in the writings of Georg Simmel Siegfried Kracauer and Walter Benjamin Focusing on current conditions of displacement and pla.

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Anthony Vidler Þ 4 Summary Warped Space: Art, Architecture, and Anxiety in Modern Culture Summary Ë 104 How psychological ideas of space have profoundly affected architectural and artistic expression in the twentieth centuryBeginning with agoraphobia and claustrophobia in the late nineteenth century followed by shell shock and panic fear after World War I phobias and anxiety came to be seen as the mental condition of modern life They became incorporated into the media and arts in particular the spatial arts of architecture urbanism and film This spatial warping is now being reshaped by digitalization and virtual reality Anthony Vidler is concerned with two forms of warped space The first a psychological spa.